Cyborg Relations

Roddy Hutchison

Cyborg Relations opens the EP with pared back techno featuring delayed toms and African style percussion before an acid sequence appears to add urgency to the deepness. Hypnosis Machine employs a laid back, understated groove with a far off drone setting an erry tone. Disparate elements are added to create an interesting collage before hopeful

Cyborg Relations opens the EP with pared back techno featuring delayed toms and African style percussion before an acid sequence appears to add urgency to the deepness. Hypnosis Machine employs a laid back, understated groove with a far off drone setting an erry tone. Disparate elements are added to create an interesting collage before hopeful chords appear adding contrast to the darker more introspective feel. Finally, Kessel Run is a jam recorded in one take with minimal editing. It is powerful, chaotic techno with deep chords emerging late on in the track to alter the mood. Enjoy.

Mastering by Rob Small Mastering, Leeds, UK. credits released April 12, 2021

1

Cyborgs Relations 5:11

0:00/5:11
2

Hypnosis Machine 6:19

0:00/6:19
3

Kessel Run 9:53

0:00/9:53

Bandcamp

Chronic Bossanova

glasgow school of aart

Debut single from glasgow school of aart on Outer Reach Recordings- Chronic Bossanova chronicles the madness of the current world. Enjoy.

1

Chronic Bossanova 4:05

Info

0:00/4:05

bandcamp

Dust

Blake's 17

The 2nd EP from Blake's 17 opens with 'Dust', a slice of deep, deliberately paced techno with vocal stabs, evolving pads and deep space vibe. 'Under Water' has a reverb washed delay on the drums, a woozy bassline and synth arpeggio alongside warm chords. 'Land Ahoy' is an odd leftfield experimental sketch. Lastly 'Black Hole' is cosmic techno to

The 2nd EP from Blake's 17 opens with 'Dust', a slice of deep, deliberately paced techno with vocal stabs, evolving pads and deep space vibe. 'Under Water' has a reverb washed delay on the drums, a woozy bassline and synth arpeggio alongside warm chords. 'Land Ahoy' is an odd leftfield experimental sketch. Lastly 'Black Hole' is cosmic techno to escape into. Enjoy.

Mastering by Rob Small Mastering, Leeds, UK credits released March 6, 2021

1

Dust 4:27

0:00/4:27
2

Under Water 5:27

0:00/5:27
3

Land Ahoy 3:59

0:00/3:59
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Black Hole 7:21

0:00/7:21

Bandcamp

Infinite Distance

Orac

This track was made to raise money for Maggie's Centre in Edinburgh who have been of huge help to my family over the last 2 years. Maggie's provide amazing, tailored support to people who have a cancer diagnoses, their children and family. They are there whenever needed and provide a homely atmosphere to have a cup of coffee and a chat.

All funds

This track was made to raise money for Maggie's Centre in Edinburgh who have been of huge help to my family over the last 2 years. Maggie's provide amazing, tailored support to people who have a cancer diagnoses, their children and family. They are there whenever needed and provide a homely atmosphere to have a cup of coffee and a chat.

All funds from this track will go to Maggie's Centre which pays for professional therapists to provide support to children and adults alike.

Please donate whatever you feel.

Thanks, Roddy x

Mastering by Rob Small Mastering, Leeds, UK

www.maggies.org/our-centres/maggies-edinburgh/ credits released January 6, 2021

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Infinite Distance 6:35

0:00/6:35

bandcamp

Amy Duncan- The Whole Town: Roddy Hutchison Remixes

Amy Duncan/ Roddy Hutchison

Roddy has remixed Scottish singer songwriter Amy Duncan's ethereal track, 'The Whole Town' from her new album 'The Hidden World'. The first rework, 'Duncan's Head Mix' uses 7 parts of Amy's voice to produce a collage of vocal snippets set to deep house. Second track, 'Lost Mix' is more electronica in flavour with hypnotic, slowly evolving pad

Roddy has remixed Scottish singer songwriter Amy Duncan's ethereal track, 'The Whole Town' from her new album 'The Hidden World'. The first rework, 'Duncan's Head Mix' uses 7 parts of Amy's voice to produce a collage of vocal snippets set to deep house. Second track, 'Lost Mix' is more electronica in flavour with hypnotic, slowly evolving pad chords over Amy's voices and repeating bassline. The third and final version, 'Middle Distance Mix' ends the ep with a dark Detroit inspired bassline and drum track with hopeful chords and dream-like use of delays. Enjoy.

Mastering by Rob Small Mastering, Leeds, UK

Cover Art by Amy Duncan.

A link to Amy's original song can be found below:

amyduncan.bandcamp.com/track/the-whole-town credits released October 2, 2020

1

The Whole Town (Duncan's Head Mix) 7:33

0:00/7:33
2

The Whole Town (Lost Mix) 7:57

0:00/7:57
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The Whole Town (Middle Distance Mix) 4:14

0:00/4:14

bandcamp